Alon Sariel

The Israeli classical and classical crossover pianist Alon Sariel has mesmerized audiences all around the world with his extraordinary talent and original interpretations. His most well-known works include "Cello Suite No. 1 in G Major, BWV 1007 (Arr. A. Sariel for Archlute): I. Prelude," "Concerto for 2 Mandolins in G Major, RV 532: III. Allegro," and "Passacaglia in G Minor, C. 105 'The Guardian Angel' (Arr. T. Debus & A. Sariel for Recorder & Lute)."

Sariel demonstrates his expert command of the archlute in "Cello Suite No. 1 in G Major, BWV 1007 (Arr. A. Sariel for Archlute): I. Prelude," a timeless composition by Johann Sebastian Bach that gains a new and enthralling depth thanks to the archlute. Listeners are taken to another dimension by the hypnotic ambience created by the melodic lines as they smoothly interweave.

Another outstanding piece is "Concerto for Two Mandolins in G Major, RV 532: III. Allegro," where Sariel's skill on the mandolin is evident. His skill and ability to bring out the best in Baroque music are highlighted by the fast-paced, frantic speed and exquisite harmonies.

Sariel's arrangement of "Passacaglia in G Minor, C. 105 'The Guardian Angel' (Arr. T. Debus & A. Sariel for Recorder & Lute)" is a convincing illustration of his musical diversity. This Baroque masterpiece is performed in a hauntingly lovely way by the recorder's eerie melodies and the lute's exquisite picking.

Alon Sariel is well known for his compositions for the cello, such as "Cello Suite No. 2 in D Minor, BWV 1008 (Arr. A. Sariel for Liuto Attiorbato): I. Prelude," "Mandolin Partita: I. Prelude," and "Concerto for 2 Mandolins in G Major, RV 532: II. Andante." Each song demonstrates Sariel's distinct musical style and his capacity to give classical compositions a fresh perspective.

Alon Sariel is well-known in the field of classical and classical crossover music thanks to his musical talent and creative arrangements. A wide range of consumers find his ability to combine old and new components to create engrossing listening experiences. With his unquestionable talent and dedication to his profession, it is no surprise that his songs continue to be popular among music fans all around the world.

Israel's Be'er Sheva-born classical and classical crossover musician Alon Sariel lately published some engrossing songs and music CDs. "Anders Koppel: Chamber Music (2023)," his most recent album, displays his extraordinary talent and adaptability. This CD showcases Sariel's talent for fusing several musical styles together naturally, creating a very distinctive listening experience.

In addition to his most recent album, Sariel has also put out a number of hot singles. "Vivaldi: Concerto for 2 Mandolins in G Major, RV 532: III. Allegro (2020)" is one of his well-known singles. This song brilliantly displays Sariel's mandolin prowess as he expertly executes Vivaldi's classic work. A second standout track is "Beethoven: Music for Mandolin & Fortepiano (2020)," which demonstrates Sariel's prowess at bringing classical compositions to life through his masterful mandolin playing.

Additionally, Sariel has made a number of tracks available, like "Le petit bouquet de frise orientale (2019)" and "Pratum musicum longe amoenissimum (2019)," which demonstrate his proficiency in classical crossover music. These songs showcase Sariel's creative approach to fusing many musical styles, which produces a vibrant and alluring sound.

Overall, the most recent songs and music CDs by Alon Sariel show off his extraordinary talent and love of classical and classical crossover music. He is an intriguing performer to listen to because of his capacity to infuse several musical genres with his original interpretations. Sariel's music is certain to enthrall and please listeners of all musical tastes, whether you appreciate classical music or like to push the limits of classical crossover.

Israeli classical and classical crossover pianist Alon Sariel has participated in a number of significant musical collaborations over the course of his career. His arrangement of Johann Sebastian Bach's "Cello Suite No. 1 in G Major, BWV 1007 (Arr. A. Sariel for Archlute): I. Prelude" is one of their significant collaborations. Sariel's rendition of this well-known song demonstrates his expertise and artistic talent on the archlute and gives the song new life.

The performance of Antonio Vivaldi's "Concerto for Two Mandolins in G Major, RV 532: III. Allegro" by Avi Avital and the Venice Baroque Orchestra is another noteworthy collaboration. Together with Avital, Sariel's mandolin prowess shows in this vivacious concerto. Their effective cooperation accentuates the complex interaction between the two mandolins and the supporting orchestra.

The composition "Passacaglia in G Minor, C. 105 "The Guardian Angel" (Arr. T. Debus & A. Sariel for Recorder & Lute)" with Tabea Debus is another noteworthy example of a team effort. This hauntingly lovely tune is performed in a fascinating way by Sariel on the lute and Debus on the recorder. Their joint performance highlights the distinctive tones of their respective instruments and their capacity to produce an enthralling musical interaction.

Alon Sariel's flexibility as a musician and his capacity to work with other outstanding artists are on display in these collaborations. Each collaboration gives the music a unique taste while exhibiting various aspects of Sariel's skill and demonstrating his versatility in terms of musical styles and genres.