Chen Reiss

Chen Reiss is a well-known opera singer and classical musician from Israel who has enthralled audiences all over the world. Her most well-known compositions include "Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank)," "Mahler: Symphony No. 2 in C Minor, 'Resurrection': V. Im Tempo des Scherzos - Live," and "Cantata on the Accession of Emperor Leopold II, WoO 88: Fliesse, Wonnezahre, fliesse!"

The songs "No, non turbati, WoO 92a: I. Recitativo," "Song Of The Angel," and "Symphony No. 4 in G Major: IV. Wir geniessen die Himmlischen Freuden" feature Reiss's hypnotic voice. Very active, among other things. The way she sings "No, non turbati, WoO 92a: II. Aria 'Ma tu tremi, o mio Tesoro'" and "Primo amore, piacer del ciel, WoO 92," which are both soulful and emotional, demonstrates her ability to bring out the emotions in the song.

The rendition of "Fidelio Op. 72, Act II: O war' ich schon mit dir vereint" by Reiss is a monument to her extraordinary talent and demonstrates her breadth and variety as a musician. Another well-liked song is "Die Fledermaus: Act I: Trio: So muss allein ich bleiben (Rosalinde, Adele, Eisenstein)," which demonstrates Reiss's capacity for vocal harmonies and blending.

Overall, Chen Reiss has made a name for herself in the classical and opera music industry, and her songs are still well-liked by music fans all over the world.

The well-known Israeli opera and classical pianist Chen Reiss recently published two albums and three singles. "Mahler: Symphony No. 4 in G Major" and "Fanny Mendelssohn Hensel & Felix Mendelssohn: Arias, Lieder, Overtures" are two of her most recent CDs, both of which were released in 2022. The Israel Philharmonic Orchestra provides musical accompaniment for Chen Reiss' magnificent soprano voice on the first CD, and she performs music by two renowned composers on the second album, showcasing her range.

Chen Reiss has released three new singles in 2022 in addition to her albums. These songs include "Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale)," "Dammrung senkt sich von oben, H-U. 392," and "6 Lieder, Op. 1 No. 3, Why are denn die Rosen so blass?" Her distinctive voice can be heard on every song, while a skilled orchestra provides the backing. Tal-Haim Samnon has adapted the songs "Dammrung senkt sich von oben, H-U. 392" and "6 Lieder, Op. 1 No. 3, Warum sind denn die Rosen so blass?" for soprano and orchestra, while the pastoral work "Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale)" is also lovely.

The most recent albums by Chen Reiss demonstrate both her amazing vocal range and her breadth of musical ability. Any admirer of classical and opera music must check out her albums and singles.

Israeli classical and opera singer Chen Reiss has performed at some of the best venues and festivals in the world. One of the biggest classical music festivals in Europe, the Schleswig-Holstein Musik Festival in Germany, featured her performances. Chen has additionally appeared at the Wiener Staatsoper, regarded as one of the most prestigious opera theaters in the entire world. She has also given performances in the Georgenkirche in Eisenach, the Philharmonie im Gasteig in Munich, the Auditorio Nacional de Musica in Madrid, and the Palau de la Musica in Barcelona.

At the Salzburg Festival in 2005, Chen gave one of her most remarkable performances when she took on the role of Zerlina in Mozart's Don Giovanni. She was lauded for her lovely voice and compelling stage presence after receiving favorable reviews for her performance. She made her debut in 2010 as Pamina in Mozart's The Magic Flute at the Metropolitan Opera in New York City, which was another memorable performance.

Additionally, Chen has shared the stage with some of the best orchestras in the world, such as the Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra. She has worked with illustrious conductors like Riccardo Muti, Zubin Mehta, and Daniel Barenboim. She has received appreciation for the melodic sensitivity, technical proficiency, and emotional depth in her performances.

Overall, Chen Reiss has had a distinguished career as a performer of opera and classical music. She has collaborated with some of the most renowned musicians in the business and played at some of the best venues and festivals in the globe. She has received praise for the technical prowess, beauty, and emotion of her performances, and her compelling stage presence and strong voice continue to enthrall audiences everywhere.

For "Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank)," Johann Strauss II and Friedrich Haider and Chen Reiss collaborated on one of their notable works. The song is an upbeat operetta that highlights Reiss' vocal range and variety of expression. The musical partnership between Strauss and Haider produces an enthralling performance that showcases each musician's best work.

With Daniel Hope and John Tavener, Reiss also worked on the well-known song "Song of the Angel." The song is a lovely fusion of classical and modern music that showcases Hope's violin prowess and Reiss' exquisite vocals. The arrangement by The Kammerorchester Basel gives the song life and creates a strong and emotive musical experience.

Last but not least, Reiss worked on two songs with Ludwig van Beethoven and the Academy of Ancient Music, led by Richard Egarr, including "Cantata on the Accession of Emperor Leopold II, WoO 88: Fliesse, Wonnezahre, fliesse!" and "No, non turbati, WoO 92a: I. Recitativo." The songs showcase Beethoven's mastery of classical music, and Reiss' rendition gives the tunes a new perspective. The artists' cooperation results in a well-balanced and gorgeous musical performance that is worth listening to.