Coma

Coma's music from Łódź, Poland, resonates with a raw and impactful energy. "Los cebula i krokodyle łzy" offers a compelling journey, blending poignant lyrics with intricate melodies. It stands out for its narrative depth and musical complexity. Another remarkable piece, "Spadam," captures an intense emotional experience, drawing listeners into its lyrical exploration.

Their track "Daleka droga do domu" carries a haunting allure, while "Leszek Zukowski" provides a gripping auditory experience. "Sto tysięcy jednakowych miast" and "Pierwsze wyjście z mroku" are notable for their rhythmic dynamics. "Zaprzepaszczone sily wielkiej armii swietych znaków" showcases a unique compositional approach, and "Na pół" delivers a reflective tone. "Sierpien" rounds out their collection with its distinct presence.

Each song adds a different facet to Coma's musical identity, capturing a blend of introspection and intensity. This diversity in their work ensures a rich auditory experience, drawing in listeners with varied tastes.

Coma's recent musical journey includes the album "Sen o 7 szklankach" from 2019. It showcases their unique sound in Rock and Alternative Rock. "Metal Ballads vol. 1" from 2017 further explores their artistic range, while "2005 YU55" from 2016 delves into different themes and sounds.

The single "Fantazja," released in 2019, adds another dimension to their discography. Its release followed the 2016 single "Trespass," a track that captures a distinct energy. "Na pół," from 2011, remains a memorable piece in their evolving musical narrative.

Coma's work continues to resonate, each album and single offering a unique listening experience. They blend rock elements with thought-provoking lyrics, maintaining their place in the Polish music scene. Whether through albums or singles, their music invites listeners to explore new auditory landscapes.

Coma has left a mark on the rock and alternative scene with notable performances. At the Reeperbahn Festival, they delivered a set that resonated with a diverse crowd, showcasing their unique sound. They also took the stage at the Rockstadt Extreme Fest, where the raw energy of their music harmonized with the festival's intense atmosphere.

Their presence at Kulturklub Schon Schön offered an intimate experience, where the connection between the band and the audience was palpable. Each song was a thread in a tapestry woven with emotion and intensity. At the Olsztyn Green Festival, Coma's performance stood out, demonstrating their versatility and ability to engage audiences in different settings.

Beyond these, Coma also performed at various venues and festivals, including the Jarocin Festival and Przystanek Woodstock. Each appearance added another layer to their growing legacy, reinforcing their status within the rock and alternative rock circuits. The blend of venues and festivals illustrates their ability to adapt and thrive across different stages and audiences.

Coma, a staple of the Polish rock scene, has engaged in notable collaborations that enhance their sound. "Sto tysięcy jednakowych miast" features Piotr Rogucki, adding a dynamic layer to the track. His involvement brings a distinct vocal depth, intertwining seamlessly with Coma's powerful instrumentation.

"Meluzyna" and "Chodź ze mną" both see the collaboration of Iza Lach. Her voice introduces a contrasting element that complements the band's robust style. While "Meluzyna" explores unique melodic landscapes, "Chodź ze mną" offers a different vibe, showing versatility in their musical partnerships.

"Przybysze z Matplanety" with Daria Zawiałow stands out for its innovative approach, blending alternative rock with fresh influences. Meanwhile, "State of the Art" with Sense MC ventures into a crossover of rock and hip-hop elements, showcasing Coma's willingness to explore different genres and sounds. These collaborations highlight Coma's commitment to musical exploration and evolution.