Elmar Lehnen

Elmar Lehnen’s music often resonates with a blend of tradition and creativity. One of the standout tracks, “Ave Maria,” brings a familiar theme to life, showcasing a serene yet powerful interpretation. “Mary's Magnificat & Improvisation” stands out for its intricate layers, where improvisation meets structured choral elements, creating a unique listening experience.

Other notable works include “Improvisation No. 3” and “Improvisation No. 4,” which highlight his talent for spontaneous creation while maintaining a connection to classical roots. “Hymnus und Orgelversetten zu Te Mater Alma” and “Salve Regina” reflect his skill in combining voices with organ, delivering a rich sound. The collection also features “Ave verum corpus, K. 618 - Arr. for Voices and Organ” and “Kommt alle zu Mir.” Each piece showcases Lehnen's dedication to choral music, inviting audiences into a world where tradition meets personal expression.

Elmar Lehnen's latest album, "Kevelaerer Magnificat," is set for release in 2025. This work continues his exploration of choral music, building on themes present in his earlier albums. In "Vitraux," released in 2022, Lehnen blends traditional choral elements with modern influences. The pieces reflect a thoughtful arrangement that invites listeners to engage deeply with the music.

Another album from 2022, "Florete Flores," showcases a variety of vocal textures and harmonies. Each track presents unique interpretations of choral traditions, creating a rich listening experience. Lehnen's compositions often emphasize clarity and accessibility, making them suitable for a wide audience. These recent works underline his commitment to evolving choral music while honoring its roots.

Elmar Lehnen has engaged in notable collaborations with Allan Parkes that showcase a range of classical and choral works. One key piece is “Ave verum corpus, K. 618 - Arr. for Voices and Organ,” originally composed by Wolfgang Amadeus Mozart. This arrangement allows for a rich interplay of voices and organ, highlighting the charm of the original composition while embracing a fresh interpretation.

Another significant collaboration is “Salve Regina,” which reflects a deep reverence in its structure and melody. Alongside this, “Ave Maria (5)” adds to the repertoire, offering a serene exploration of the well-known text. Lehnen's work with Parkes on "Mary's Magnificat & Improvisation" further showcases their ability to blend improvisation with traditional forms, creating a unique listening experience. Each of these pieces demonstrates their commitment to choral music and the collaborative spirit that enhances the classical genre.