Marianna Pizzolato

Italian classical and opera singer Marianna Pizzolato has won over audiences with her captivating performances. Her most well-known songs include "Quali accenti! Quai tormenti! (Uberto, Elena)" from "La donna del lago, Act I" and "Ho un gran peso sulla testa (Taddeo, Chorus)" from "L'Italiana in Algeri": Act II Scene 4.

From "L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8," "Gia d'insolito ardore nel petto (Mustafa)" is another standout track, demonstrating Pizzolato's extraordinary vocal range and emotional depth. She is also praised for her performance of "Stabat Mater: Stabat mater dolorosa," which demonstrates her capacity to arouse strong feelings and communicate genuine grief.

Both "Semiramide: Sinfonia" and "Semiramide: Act I Scene 8: Ah dov'e, dov'e il cimento? (Idreno)" are excellent examples of Pizzolato's variety. Her skill of complicated vocal pieces and orchestral compositions may be heard in these tunes. Additionally, Pizzolato's ability to work with others is demonstrated in "Semiramide: Act II Scene 11: Al mio pregar t'arrendi - L'usato ardir (Semiramide, Arsace, Assur, Oroe)".

Marianna Pizzolato also composed the songs "Stabat Mater: Quando corpus morietur," "L'Italiana in Algeri: Sinfonia," and "Settimino: Pria di dividerci- Seguito e Stretta: Va sossopra il mio cervello (Zulma, Elvira, Lindoro, Isabella, Mustafa, Taddeo, Haly, Chorus)." Pizzolato's brilliance, passion, and craftsmanship continue to enthrall audiences with each performance.

The excellent Italian opera and classical pianist Marianna Pizzolato has put out a number of outstanding records throughout the years. "Rossini: Sigismondo (Live)" (2019), her most recent album, displays her outstanding singing prowess in a live setting. Pizzolato brings Rossini's compositions to life with compelling performances and exact execution, giving listeners an engrossing experience.

Pizzolato's prior record, "Rossini: Il viaggio a Reims (Live) (2016)," also showcases her command of the operatic style in addition to "Rossini: Sigismondo (Live)" (Live) (2019). This record perfectly captures the spirit of Rossini's compositions while showcasing Pizzolato's vocal range and flexibility. She skillfully communicates the nuances and emotions of the music with each track, making an imprint on the listeners.

Additionally, Pizzolato's album "Donizetti: Lucrezia Borgia (2014)" demonstrates her skill at subtly and elegantly interpreting and performing Donizetti's works. Each tune gains depth thanks to her rich, expressive voice, which also draws listeners into the intricate details of the music. Pizzolato has a profound mastery of the operatic art form through her flawless technique and moving performance.

Overall, Marianna Pizzolato's most recent CDs, such as "Donizetti: Lucrezia Borgia (2014)," "Rossini: Sigismondo (Live) (2019), and "Rossini: Il viaggio a Reims (Live) (2016)," highlight her extraordinary talent and devotion to her craft. Pizzolato continues to mesmerize audiences all over the world with her enthralling performances and extraordinary singing ability. Her most recent recordings are evidence of her artistic talent and proof to her ability to bring opera and classical music to life.

Italian classical and opera singer Marianna Pizzolato has worked with a number of eminent musicians throughout her career. One of these partnerships is with famed composer Gioachino Rossini. They collaborated on the song "L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus)." Together with the accomplished vocalists Lawrence Brownlee and Lorenzo Regazzo, Pizzolato displays her vocal talents in this composition. Their voices blend to produce a mesmerizing and melodic performance.

Pizzolato and Rossini also collaborated on an important piece, "La donna del lago, Act I: Quali accenti! (Uberto, Elena) Quai tormenti. In this potent duet, Pizzolato teams up with Sonia Ganassi and Maxim Mironov. As they expertly and vocally interpret the song's emotions, it is clear that the artists get along well with one another.

Additionally, Pizzolato and Rossini worked together to create the song "Semiramide: Sinfonia." The extraordinary talent of Pizzolato and her fellow musicians, Lorenzo Regazzo and Andrea Mastroni, is on full display in this instrumental composition. The audience are left with a lasting impression as a result of their musicianship and exquisite execution in bringing this symphony to life.

These partnerships show off Pizzolato's talent at collaborating with other musicians to produce captivating performances. Each of her musical collaborations is a one-of-a-kind and compelling experience for the audience because of her commitment to her art and her ability to connect with other musicians.