Ensemble vocal de Lausanne

The Lausanne, Switzerland-based Ensemble Vocal de Lausanne is renowned for its outstanding renditions of choral and classical music. The melancholy melody and potent vocal arrangements of "Jesus Christus schwebt am Kreuzel" from Stabat Mater, D 383 stand out among their best songs. This piece's emotional depth is expertly captured by the group, making for a moving listening experience.

"Gloria in excelsis Deo" from Vivaldi's Gloria in D Major, RV 589, is another noteworthy piece. The group's performance of this regal piece, which displays their flawless vocal harmonies and dynamic range, is beautiful. The group's emotive performance highlights the grandeur and joy of Vivaldi's masterpiece.

"Mozart: Requiem in D Minor, K. 626" is another album of songs performed to perfection by Ensemble Vocal de Lausanne. The group's ability to elicit strong emotions through their immaculate vocal performances is demonstrated by the hauntingly beautiful "Lacrimosa" and the solemn "Introitus". These songs have a profound effect on the listener due to their clear articulation and sincere emotions.

Impressive performances of works by Handel, Monteverdi, and other well-known composers are also included in the ensemble's repertoire. Songs like "Der Messias, K. 572, Pt. 2: Coro. Hallelujah" by Handel and "Monteverdi: Vespro della Beata Vergine, SV 206, Magnificat a 6: Quia respexit" demonstrate the group's adaptability and command of a variety of musical genres.

The performances of these standout songs by Ensemble Vocal de Lausanne, as well as their broad catalog of choral and classical music, have given them a well-deserved reputation in the music industry. They stand out as a group in the genre because to their ability to enthrall audiences with their passionate interpretations and flawless vocal technique.

The Lausanne, Switzerland-based Ensemble Vocal de Lausanne is known for its classical and choral music recordings, which include several noteworthy CDs. Their ability to interpret madrigals and Renaissance songs is evident in their most recent album, "Chansons et madrigaux de la Renaissance avec leur double orne par Bassano" (2023). These historical pieces come to life thanks to the ensemble's superb vocal harmonies and meticulous attention to detail, enthralling listeners with their accuracy and skill.

Ensemble vocal de Lausanne has delighted audiences with both their most recent record and their performance of Honegger's "Le Roi David" (2017). The group is able to demonstrate their diversity and their ability to effectively express the biblical story's compelling storyline through this work, which is renowned for its grandeur and emotional depth. Using their emotive interpretations and superb vocal control, the group gives this well-loved work a new lease on life.

Ensemble vocal de Lausanne's "Schola Aeterna: Chants a la vierge" (2016) is another noteworthy album. This compilation of chants honoring the Virgin Mary demonstrates how well the ensemble is able to convey the spiritual meaning of the piece. Their flawless harmonies and angelic voices evoke a serene and contemplative ambiance that draws listeners in for a moment of introspection.

The dedication of Ensemble Vocal de Lausanne to the repertory of choral and classical music never fails to enthrall audiences. They demonstrate their remarkable vocal skills and dedication to conserving and disseminating the rich musical legacy of the Renaissance and beyond through their most recent CDs and live performances. The group establishes itself as one of the most influential voices in the field of choral and classical music with every release.

The Swiss classical choir vocal de Lausanne has worked with a number of eminent artists and orchestras to produce stunning and enthralling performances. One of their significant collaborations is on the track "Stabat Mater, D 383: I. 'Jesus Christus schwebt am Kreuzel'" by Franz Schubert and the Orchestre de Chambre de Lausanne. This collaboration demonstrates the group's proficiency at accurately and sensitively interpreting Schubert's sorrowful piece.

A noteworthy collaboration is with Antonio Vivaldi on the song "Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo." The group performs Vivaldi's famous Gloria with the Orchestre de Chambre de Lausanne, showcasing the skill of the musicians and the beauty of the choral arrangement.

Another performance of the group to note is "Requiem in D Minor, K. 626: Lacrimosa" by Mozart. The specific participants are not identified, but the Choir de Lausanne's performance of this well-known work demonstrates their aptitude for capturing the solemnity and profundity of Mozart's composition.

Although there are additional collaborations noted, these two demonstrate the vocal de Lausanne's capacity to work with renowned orchestras and composers to produce enthralling performances that emphasize their musicality and talent. They have earned a reputation as a recognized band in the music world thanks to their commitment to accurately and passionately performing classical and choral works.