Ghada Shbeir

Lebanese musician Ghada Shbeir is well-known for playing Arabic folk music from the Middle East. Her most well-known songs include "Wal Hawa Thalithouna", "Lamma Bada Yatathanna", "Li Habiboun", "Helm Btada", "Ahwa Qamaran", "Malal Kasat", "Ya Maryamou L-Bikrou", "Sloutekh 'aman", "Shaqiq Rrouh" and "Badrou El Layl".

A classic Arabic song that has been covered by various artists, "Lamma Bada Yatathanna" is one of her most popular songs. Shbeir's interpretation is distinctive and perfectly catches the spirit of the original work. This song is a must-listen due to the deep voice and flawless delivery of the artist.

"Ahwa Qamaran" is another well-liked song that beautifully combines traditional Arabic music with contemporary elements. The song is the ideal illustration of Shbeir's talent for fusing many genres to produce something wholly original. A captivating sound that is both traditional and modern is produced by combining Arabic percussion and string instruments with contemporary beats.

Shbeir's vocal range and adaptability are displayed in other songs like "Li Habiboun" and "Shaqiq Rrouh." Her versatility as a musician is demonstrated by the way she can change between many genres and styles with ease. Ghada Shbeir's music, as a whole, is a lovely reflection of Arabic folk music that incorporates her particular style and interpretation.

Throughout her career, Lebanese musician Ghada Shbeir has recorded a number of albums and singles that are noted for their Middle Eastern and Arabic folk music. 2016 saw the publication of her most recent album, "Good Friday - Alam Al Massih: Maronite - Syriac Chants, Vol. 4 (Live in Concert at Beirut Chants festival 2015)". The album includes live recordings of Arabic and Syriac religious chants that highlight Shbeir's vocal range and interpreting abilities.

2019 saw Shbeir's most recent single, "Helm Btada," which is Arabic for "The Beginning of a Dream" in English, be made available. Shbeir's strong vocals take center stage in this song, which fuses traditional Arabic music with contemporary techno beats.

Both "Andalusia" (2011) and "Al-Qasida" (2009) are albums by Shbeir. The song "Andalusia" combines Arabic and Andalusian musical styles, and the song "Al-Qasida" incorporates Shbeir's reinterpretations of traditional Arabic poetry.

In general, Ghada Shbeir's music is a fusion of traditional Arabic and Middle Eastern folk music with contemporary influences. Her most recent CD and single showcase her range as a musician and her commitment to preserving and modernizing traditional music.

Renowned Lebanese artist Ghada Shbeir has won over listeners with her heartfelt renditions of Arabic and Middle Eastern folk music. She has performed at a variety of events and festivals, including one of the premier global music festivals, WOMADelaide.

Ghada Shbeir's performance at WOMADelaide, where she displayed her distinct style and vocal prowess, was a highlight. The audience was enthralled by her voice as she performed traditional Arabic tunes. Both fans and critics gave her performance high marks.

Ghada Shbeir has played at a number of notable locations and festivals in addition to WOMADelaide, including the Beiteddine Art Festival in Lebanon, the London Barbican Centre, the Paris Philharmonic, and the Royal Opera House in Muscat, Oman. Her deep and heartfelt performances have made an effect on the audience at each of these locations.

The Middle Eastern and Arabic folk traditions are celebrated in Ghada Shbeir's music, and her live performances reflect her ardent devotion to her heritage and culture. Her music has a broad appeal that cuts across boundaries and unites people. She continues to inspire and enthrall audiences with her music, and her appearances at numerous festivals and locations have been crucial in bringing Middle Eastern music to a wider audience.

Some of Ghada Shbeir's most significant collaborations with other Middle Eastern and Arabic Folk musicians include "Lamma bada" with Constantinople, "Pero que seja a gente / Virgen Madre" with Constantinople, and "Cercles migrants" with Kiya Tabassian and Constantinople. Ghada Shbeir is well known for her collaborations with other Middle Eastern and Arabic Folk musicians.

Shbeir and Constantinople sang the traditional Andalusian song "Lamma bada" for the audience. Together, Shbeir's lovely vocals and Constantinople's mesmerizing instrumental music created a stunning synthesis. The song has a mysterious aspect that takes listeners to another era and location while arousing feelings of nostalgia and longing.

The "Cercles migrants" partnership between Kiya Tabassian and Constantinople is another remarkable project. Shbeir's eerie vocals are featured on this track, which also includes captivating setar by Tabassian and exquisite drumming by Constantinople. As a result, a heartfelt and thought-provoking musical trip that mesmerizes listeners is created.

Overall, Ghada Shbeir's collaborations with Constantinople and Kiya Tabassian show that she has the capacity to adroitly combine various Middle Eastern and Arabic Folk performers with her distinctive singing style. Her musical partnerships produce works of art that highlight the beauty and variety of Middle Eastern music.